Material
HAND-MADE MAKES THE DIFFERENCE

The Material

SUNBOUNCE offers a huge selection of frames and a comprehensive range of wide meter fabrics for the photography and film industry. Furthermore, SUNBOUNCE are specialists in the provision of extra-wide fabrics without seam (up to 500 cm). They are all “MADE in GERMANY”; most materials were even developed exclusively for SUNBOUNCE. All screens SUNBOUNCE manufacture from these fabrics are in perfect harmony with the frame and make the foldable SUNBOUNCE SYSTEM one of the leading brands for professionals. SUNBOUNCE continuously design new colours, structures and patterns so that you get your perfect light, no matter whether it should be “clean” or “dirty”. In addition to clean lifestyle photography, SUNBOUNCE can also help to achieve a naturally “dirty”, vivid light - not just always “clean” or flat. All screens are of excellent quality and are sewn by hand in Germany - a longer life guaranteed. You can always rely on SUNBOUNCE materials.

The moiré effect in photography and videography

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Reflectors and nets - for any application

ZEBRA

Gently warm, creates a healthy skin complexion even if cloud cover is thick. ZEBRA is the workhorse for more than 50% of all applications in sunny and shady conditions.

Colour: Mix of GOLD and SILVER. The back is WHITE NEUTRAL.

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SPARKLING-SUN

Gently warm, creates a super healthy skin complexion. The reflection appears very hard and the light can be transported over large distances. Front: minus ca. 650 Kelvin. Back: minus ca. 400 Kelvin.

Colour: GOLD/SILVER/WHITE, mixed. The back is a mix of WHITE/GOLD/SILVER.

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SILBER

This material does not change the colour temperature but transmits the incoming light in a neutral manner. Hard light remains hard, soft light remains soft. Good light scoop.

Colour: SILVER. The back is WHITE NEUTRAL.

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BLACK-HOLE

The negative reflector absorbs the light like thick, black velvet. But it is much lighter than velvet and elastic. Good for light reduction.

Colour: BLACK deep matte and strongly light absorbing. The back is BLACK matte.

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GOLD

Gently warm, creates a golden skin complexion. In thick cloud cover, it reduces the blue part of the light and creates a warm skin complexion.

Colour: GOLD. The back is WHITE NEUTRAL.

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BLACK with LIGHT-GREY back

The black front strongly reduces the reflected light. The back is neutral LIGHT-GREY (SOFT WHITE) and reduces the incoming light glare-free in a wonderful way.

Colour: BLACK. The back is LIGHT-GREY.

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3D ELEPHANT SILVER

The perfect lightbox material is also suitable as reflector. Very direct but with soft vignetting for feathering. Tangibly lively.

Colour: SILVER. The back is BLACK.

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3D INDIA SILVER

The perfect lightbox material is also suitable as reflector. Very direct but with soft vignetting for feathering. Tangibly lively.

Colour: SILVER. The back is BLACK.

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3D GRAIN SILVER

The perfect lightbox material is also suitable as reflector. Very direct but with soft vignetting for feathering. Tangibly lively.

Colour:SILVER. The back is BLACK.

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3D RAINDROPS SILVER

The perfect lightbox material is also suitable as reflector. Very direct but with soft vignetting for feathering. Tangibly lively.

Colour: SILVER. The back is BLACK.

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3D RIP-STOP SILVER

The very durable, perfect lightbox material is also suitable as reflector, if the reflection can be very hard. The workhorse for effective light transport. Can be used in any daylight condition.

Colour: SILVER. The back is BLACK.

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GREEN BOX

The SUNBOUNCE CHROMA- and DIGITAL Key material is perfect for digital editing for Photo, Film and TV. The SUNBOUNCE DIGITAL GREEN PROVIDES A RELIABLE and constant color spectrum.

Colour: DIGITAL GREEN/BLUE for digital Imaging.

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BLUE BOX

The SUNBOUNCE CHROMA- and DIGITAL Key material is perfect for digital editing for Photo, Film and TV. The SUNBOUNCE DIGITAL GREEN PROVIDES A RELIABLE and constant color spectrum.

Colour: DIGITAL GREEN/BLUE for digital Imaging.

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1/5 Stop Silk

reduces the contrast only slightly but makes the light photographable, e.g. for beauty where nuances are important.

Colour: WHITE neutral without optical brightener.

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1/3 Stop Silk

reduces the hardness of the contrast, creates a wonderful medium-soft light/shadow contrast: Contrast reduction is between -1/5th and -2/3rd.

Colour: WHITE neutral without optical brightener.

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2/3 Stop Silk

reduces the contrast more than TRANSLUSCENT -1/3rd and makes wonderfully soft light. Good in combination with reflectors.

Colour: WHITE neutral without optical brightener

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3/3 Stop Silk

Strong contrast reduction. Creates very soft basic light, almost without contrast. Good in combination with reflectors and as lightbox diffuser.

Colour: WHITE neutral without optical brightener.

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LE-LOUCHE

The two-ply carrier materials structures by adding e.g. leaves, shadow/light structures, just as you desire. Also for large-scale use in sunlight or with spotlights.

Colour: WHITE neutral without optical brightener.

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BOBINET BLACK

The classic of Hollywood film lighting for reduction and softening of sunlight and spotlights. Also known as CINE-NET, BOBBINET or BOBBINETTE. Material: Cotton – Warning: air well, only pack in dried condition!

Colour: Neutral black

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NO MOIRÈ BLACK

The professional alternative for BOBINET BLACK. For reduction and softening of sunlight and spotlights. NO MOIRÉ when the layers are doubled. Dries super fast. Does not rot. Material: A very fine fibre, almost invisible

Colour: Neutral black

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NO MOIRÈ WHITE

The professional alternative for BOBINET WHITE. For reduction and softening of sunlight and spotlights. NO MOIRÉ when the layers are doubled. Dries super fast. Does not rot. Material: A very, very fine fibre, almost invisible

Colour: Neutral WHITE without optical brighteners

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WHITE

The NATURAL WHITE material creates a very natural light either as main light source, to reflect the sun or a spotlight onto the models or actors, or as a brightener for the part of the set opposite the sun. Its warm off-white colour is very skin-friendly and models and actors find it easy on the eyes.

Colour: Warm white

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BLACK with BLACK back

The negative reflector is feather light and keeps excess light at bay.

Colour: Black. The back is black

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BLACK DUVETINE (Molton)

The negative reflector is suitable for shading and for reducing unwanted light.

Colour: Matte black. The back is also matte black

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TUSCANY Leaf

On a transparent sheet 157cm wide for the LE-LOUCHE System.

Colour: Neutral white

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WIND-KILLER

The WIND-KILLER material is a very special material; especially when it comes to getting the wind under control during photo and film shoots.

Colour: Neutral black

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